120th Bath Society of Artists Open Exhibition Prizes:

• Bath Society of Artists Prize (£2,000)
• Bath Society of Artists Runner up prize (£1,000)
• The Public Choice Prize (£600)
• Bath Society of Artists Young Artists Prize (£500)
• Bath Society of Artists Prize for a 3D work (£350)
• Bath Society of Artists Painting Prize (£350)
• Bath Society of Artists Drawing Prize (£350)
• Bath Society of Artists Print Prize (£350)
• St Cuthberts Mill Works on Paper Prize (20 sheets of Saunders Waterford CP(NOT) 300gsm, (worth £168)
• Bath Artist Printmakers - The Wendy Batt Young Artist Printmakers Prize (3 months BAP membership worth £165)
• Cranfield Colours Painting prize: voucher for Cranfield Artist Paints (worth £125) and
• Cranfield Colours Printmaking prize: voucher for Cranfield Printmaking inks (worth £125)
• John Purcell Creative use of Paper prize: (£150 Gift Voucher)
• Meltone Gallery Small Picture Framing Prize – (£100 Gift Voucher)
• Pegasus Art Prize – (£100 Gift Voucher)
• Minerva Art Supplies Prize (£50 Gift Voucher)

Invited artist: Stuart Pearson Wright

Prize judges: Sandra Higgins of Sandra Higgins Art and David A Parfitt RI. A representative of BAP will select their prize winner.

Entry Pricing and Concessions for non-members:

Standard:

• All submissions by online entry via OESS
• Maximum number of entries: 2
• Single entry £15.00
• Additional entry £15.00

Young Artists 25 years or under:

• Young artists may submit up to 2 works at £5 per work – please be sure to provide your date of birth, where applicable.

Terms and Conditions:

Submissions:

• Any UK artist may submit work.
• Entries may include paintings, pastels, drawings, editioned prints; mixed media, sculpture (but not photography, performance, or video). Digital prints and collaborative artworks maybe submitted (See Additional Information).
• AI generated work will not be accepted.
• Exhibits must be original, the artist’s unaided work.
• Edition prints must be limited to maximum of 150.
• Work should not have been exhibited at any previous BSA Open Exhibitions.
• All works must be for sale for a minimum of £100, except for unframed prints. There is no ceiling on sales prices.
• Prices must include the cost of the frame (where appropriate).
• The Gallery can only sell framed prints hung in the gallery, so cannot offer any additional framed prints for sale.
• Works should not be larger than 183cm (6ft) along the longest dimension, (including frame if appropriate).
• Commission rate is 45% (Bath Society of Artists is not VAT registered).
• Printmakers will be responsible for the cost of a tracked delivery service when sending unframed edition prints to the buyer, which should be reflected in the sales price.
• Photos of submitted work need to be in jpg, jpeg or png format, be no more than 5mb file size and should not include the frame.
• All work such a diptychs and triptychs, and complex/delicate 3D work may require special instructions for the hanging team (if selected) regarding layout to prevent errors or damage. This can be recorded on the entry form.
• Whatever is on the entry form will also appear on your labels and the catalogue (if selected), so please avoid using all capitals, unless essential.
• Please ensure your details are recorded accurately before confirming your application. If you decide to withdraw before the submission closes, then contact the Secretary who will arrange a refund.
• Incomplete submissions will be deleted after 5.00pm on 26th August 2025, so be sure to finish your entry or contact the Secretary/OESS if you are experiencing any difficulties.
• Refunds will not be permitted beyond the submission deadline.
• If works are not collected within 3 months of the collection day, the gallery will be entitled to destroy, sell, or otherwise dispose of the works without consent, prior notification, or compensation to the artist.

Collaborative work:

• Collaborative artwork will be listed in the catalogue according to the surname of the first named artist.
• Each collaborative work submitted counts as one entry for each artist involved.
• A submission fee is payable for each collaborative work

Images:

• If taking a photo rather than using a professional photographer, take the photo in natural light (but not in direct sunlight – an overcast day is best if taking the photo outside) without using a flash and square on to the work. Ideally, use simple photo editing software to crop any background and frame. For three-dimensional work please take against a plain background..
• The uploading of images may take a little while depending on your internet speed, so do give it time. If you are having problems uploading your images please resize your image to approximately 1600 pixels wide and then save as a new file. Image file names should not be too long and should not contain any invalid characters such as + = & “ ‘ etc.

Digital:

• Digitally generated works are admissible and may be presented in print form. We are not able to accept photography, performance, or video works.
• Editions of digitally generated prints are allowed in the same way as any other kind of print media eg lino, etching etc.  These prints should be executed using light fast archival pigment-based inks on high quality paper.
• Prints made with standard dye-based inks will not be accepted, because they fade very quickly.
• It must be stressed that we will not accept serial or singular reproductions of finished paintings, illustrations, or drawings. Specifically, this refers to paintings, illustrations or drawings which have been photographed with the intention of selling an edition of reproductions of that original.
• Neither will it be acceptable to make a minor adjustment to an original painting, drawing or collage in order to enter it as a digital work.
• We acknowledge that any digital process requires a starting point and to this end, such works will inevitably contain elements of photography or scanned drawing, painting, or collage. The main emphasis of the work must be on the subsequent digital process for it not to be assessed as a reproduction of an original generated in other media. The only exception to this would be where an original work, sculpture, or painting, is photographed and the original is intentionally destroyed as part of a genuine creative process, such that the digital record is the only way in which the work exists. In this case, the individual work will be reviewed by the committee and each case considered on its own merits.
• Collaborative digital artworks may also be submitted under the same guidelines.
• The selectors’ decision in all regards will be final.

Selection:

Please note: The BSA operates a TWO-PHASE selection process -

It is YOUR responsibility to look up the results on OESS for both phases.

Phase 1. NON members online preselection results will be announced via OESS at 12.00 noon on Tuesday 16th September 2025. 

Phase 2. NON members successful entries to go in front of the final selection panellists at The Victoria Art Gallery on Sunday 12th October 2025 and notification of results available via your OESS account after 5.00 pm on Tuesday 14th October 2025. 

• Phase one online selection will be carried out by a panel of BSA members.
• Phase two - 2D Selection panellists: Guest Selector: Jessica Lloyd Smith, Director of Modern Art Buyer together with Nathalie Levi, Senior Curator of the Victoria Art Gallery; BSA members: Andrew Hardwick; Lawrence Nash; Stella Penrose; Martine Baldwin and David Cuthbert.
• Phase two- 3D Selection panellists: Guest Selector Fiona Campbell MRSS together with BSA members Iain Cotton; Richard Crooks; Jan Byrne; Andrew Stevens and administrator Maxine Foster..
• All works will be selected for the exhibition anonymously.
• The decision of Selectors on all matters is final and no correspondence will be entered into.

Preparation for Handing in Day:

Fixings & Labels - 2D:

• All 2D work accepted on handing in day must be fitted with mirror plates. Any work that cannot support the attachment of mirror plates maybe rejected. Wall hanging works should be framed or stretched on a support suitable for the attachment of mirror plates, if selected.
• Please remove any projections or D rings of any kind on the back of work, except for the attachment of mirror plates, as they could damage other works.
• Please be sure to put masking tape over the mirror plate screws before handing in your work.
• Check out this pdf for more information about fixing mirror plates OESS - OneDrive
• Metal frames or unframed glass will not be accepted.
• Perspex boxes for wall mounted works are acceptable if instructions for fixing is provided.
• All works submitted must be correctly labelled - you can print out your labels by going into your account/What Next/Print Labels/ Download PDF/ and Print.
• Labels must be firmly attached to the back of all 2D work, and another attached by string to hang 6in/15cm over the front from the top, with artists name, telephone number, email address, title, and price of work. Please see OESS - OneDrive

Fixings & Labels - 3D:

• For 3D work, it is important to fix a label to the base of your work showing artist’s name, telephone number, email address, title and price. If it is not possible to use a large label, then a clearly readable name and telephone number will suffice.
• In addition, a luggage-type label with all the contact details, as above, should be securely tied to the sculpture with string. These stringed labels will be removed if the work is accepted into the gallery.
• Sculptures must be both stable and safe to exhibit. If a base is supplied, it should be wide enough to support the work and must be securely fixed prior to submission. The weight of all sculptures should be easily manageable for two people, and must be provided with some means of easy transition across the gallery floor.

Delivery & Collection:

• All work submitted on handing in days must be completely dry, sale worthy and ready to be collected by a prospective buyer at the end of the show.
• We are unable to accept work this year by post using Parcelforce, DHL or Royal Mail etc. However, you may still use a bona fide Art Courier, if you are not able to submit work in person for handing in day.
• Courier deliveries can be accepted on Friday or Saturday 10th or 11th October 2025. Work will not be accepted outside of those dates.
• If works arrive damaged, or with unacceptable framing, they will be withdrawn and will need to be collected from the Victoria Art Gallery by the artist at their expense.
• Couriers need to report to the Gallery’s accessible side entrance in Bridge Street after 10.30am. Parking on the opposite side of Bridge Street to the Gallery is for dropping off only. Vehicles left for ten minutes or more, without a disabled parking badge, run the risk of a parking ticket.

Suggested art couriers include:

• Artmove – Storage, Installation, Transportation, Hanging Fine Art
• Fine Art Movers UK Wide - Aardvark Art Transport Services - (aardvarkartservices.com)
• A S Elvin Transport Ltd 
• JD Art Transport
• 3Lanes - Art Transportation, Artists Studios, Online Gallery
• Van Go Art Couriers – Fine Art Couriers – Art Courier UK
• Fine Art Courier - Evo Logistics
• Same Day Delivery Bath | Avon Express Couriers (couriersbath.co.uk)
• Depart Art Logistics founder - Olly Bendall +44 7810 265634
• Please note that we do not accept liability for the services of any art courier.
• In person handing in days are Friday 10th October for members and couriers and Saturday 11th October for non-members. (Most art couriers won’t deliver on Saturdays but we can take a delivery on Saturday if they do).
• Packaging from delivered works cannot be retained and must be taken away at the point of delivery.
• Artists who have one work hung and one declined will not be required to collect the declined work until the end of the show, thus saving unnecessary travel.
• Neither the Victoria Art Gallery, nor the BSA, can wrap works or provide wrapping for works being returned.
• If works are not collected within 3 months of the collection day, the gallery will be entitled to destroy, sell, or otherwise dispose of the works without consent, prior notification, or compensation to the artist'

Insurance:

• Whilst the Exhibition organisers take every possible care of works in the Gallery, they cannot undertake any responsibility whatsoever for any loss of, or damage to, works entrusted to them.
• All artworks submitted are at the artist’s own risk. Artists are therefore advised to insure their works against all risks. 

Gallery entry:

• Once the exhibition in the Gallery has formally opened, all exhibiting artists will be allowed to enter the Victoria Art Gallery free of charge.

Sales & Payments:

• There will not be a facility to purchase artwork online via the Victoria Art Gallery website.
• If an entered work is sold during the call to artists period, then replacement works maybe entered. However, no swaps will be accepted if a sale occurs after 5.00pm on 26th August 2025. Equally, the entry fee will not be refundable after submissions have closed.
• Any private sale that occurs on or after selection day (and the notification of acceptance to hang) will incur the normal commission rate and must be paid for via the Gallery. This condition applies until the close of the Exhibition. In this situation, no substitution can be accepted.
• All sold artwork must remain in the gallery until the exhibition closes.
• Payments to artists, who sell their work during the exhibition, will be paid by the BSA once the appropriate BANES Council payment has cleared the BSA’s bank account (please allow up to three months).
• Where a collaborative work sells, payment in full will be made to the artist whose name is entered first on the online form.

Additional Information:

Data Protection:

The contact details you provide as part of your submission will be shared with appropriate staff members of OESS/BANES/Victoria Art Gallery/ Bath Society of Artists and buyers, for the purposes of showing, selling and delivery of all listed and purchased works from the gallery. Your information will not be shared with any other parties other than those already mentioned. By submitting work, you are also accepting these conditions.

Copyright/Intellectual property:

The copyright and all other intellectual property rights to works, will remain the property of the artist and any enquiries in relation to such rights will be referred to the artist. The Exhibition organisers have the right to copy and/or reproduce works submitted and to communicate and/or issue such copies to the public in connection with the exhibition, for advertising the sale of artworks, for general marketing or promotional purposes, and other related activities, including without limitation, the incorporation of images of artworks within promotional and marketing materials, catalogues, posters, or on Exhibition organisers websites and any social media site now known or hereafter devised.

Bath Society of Artists:

For further information about the Bath Society of Artists, its members and previous exhibitions please visit www.bsaorg.uk or contact the Secretary by email at secretary@bsaorg.uk or call 07976 380147.

For information concerning membership, please see details provided under ‘Members’ and ‘On Membership’ on the website www.bsaorg.uk

Instagram: @bathsocietyofartists
Facebook: @BathSocArtists

Sponsors & Partners:

Bath Society of Artists would like to thank all those involved in making this exhibition possible.

In particular, we would like to thank our sponsors including:

• Victoria Art Gallery
• Meltone Gallery, Bath
• Pegasus Art Supplies UK
• Cranfield Colours.co.uk
• John Purcell Paper
• Minerva Art Supplies
• St Cuthberts Mill
• Bath Artist Printmakers

We also want to thank the following for their help and support:

• Invited artist: Stuart Pearson Wright
• Guest selectors: Jessica Lloyd Smith, Director of Modern Art Buyer & Fiona Campbell MRSS
• Prize Judges: Sandra Higgins of Sandra Higgins Art & David A Parfitt RI
• Nathalie Levi and all the staff at the Victoria Art Gallery
• Jacob Tindall and colleagues at BANES
• OESS
• Ralph Allen Press
• Together with all the volunteer member artists who have offered to take part in the selection process and assist in the gallery.

Please Note: The above terms and conditions are provided by the exhibition organisers.

For terms and conditions which apply to the use of the OESS entry system please view below:
OESS Terms & Conditions | Privacy Policy

Entry Fees

Non-members:

Maximum number of submissions permitted = 6

1 Submission: £15

2 Submissions: £30

3 Submissions: £45

4 Submissions: £60

5 Submissions: £75

6 Submissions: £90

Artist, Associate Members

Maximum number of submissions permitted = 6

1 Submission : FREE

2 Submissions:  FREE

3 Submissions:  FREE

4 Submissions:  FREE

5 Submissions: £5

6 Submissions: £10

4 FREE – cost of submissions included in membership subscription - Please ensure you are a VAS Member with an up-to-date subscription. 

Professional Members :

Maximum number of submissions permitted = 6

1 Submission : FREE

2 Submissions:  FREE

3 Submissions:  FREE

4 Submissions:  FREE

5 Submissions: £5

6 Submissions: £10

4 FREE – cost of submissions included in Membership subscription - Please ensure you are a VAS Member with an up-to-date subscription. 

Terms and Conditions

• All entries must be submitted through OESS by the stated deadlines.
• Only works that have been pre-selected via the online submission process will be accepted on the hand-in day.
• All selected works must be for sale.
• There are no restrictions on size, discipline or media.
• Non-members will be charged £15 per submission and can submit up to five works.
• Unless part of a diptych/triptych etc, each artwork must have its own submission. Multiple works submitted on one submission will not be considered.
• There is no entry charge for any VAS Members.
• A One-Off £15 Hang Fee is charged per artist for both Members and non-members that are exhibited. Payment must be made by 28th October 2025 via bank transfer or Stripe link.
• Please ensure all artwork details are correct – titles, prices etc. submitted at this stage will be used for labels, the exhibition catalogue, and online.
• Image files should be JPG or PNG and no more than 3MB large. If you are having problems uploading your images please use image-editing software to resize your image to approximately 1600 pixels wide and then save as a new file.
• Save your image files with your name and the title of your artwork as the file name, eg example.jpg.  Do not include any extra characters such as ‘ ” & % * ( ) < > / ~ # + =

Restrictions

Work submitted must have been completed within the last three years (2022 onwards).

Work that has been shown in the RSA in the last 5 years previously or shown with VAS in the last 5 years must not be submitted. 

No reproductions or copies of any kind will be accepted.

All pre-selected works need to be delivered to and collected from the gallery by the artist or a nominated representative or courier. VAS is unable to assist with the shipping and collection of your work.

Selection

Pre-selection results will be via log in to your OESS profile on date stated in open call, we do not email results out to you. We will remind you to check in via newsletter and social media. We regret that we cannot offer feedback on the results of the selection.

Pre-Selected Works

Works that pass the online pre-selection process must be delivered to the gallery by the date stated in the open call details on the assumption the piece will be shown in the exhibition.

All works that are pre-selected online are still subject to final selection by the panel on delivery to the gallery. This assessment is to ensure that the work is exhibition ready, and is neither damaged or not reflective of what was submitted. In the unlikely event that the works are not included in the final selection, they should be uplifted from the gallery on the date detailed in your notification email. If you have to come from afar, we can arrange storage for smaller works until the end of the exhibition. 

You may be required to install your own work depending on the scale. You will be contacted in advance if this is the case.

Work selected for the exhibition will be subject to £15 admin fee per artist (one payment per artist regardless of number of selected works). This must be paid by bank transfer or payment link we will not take cash or PayPal.

All wall works should come ready to be hung upon the traditionally gallery chains available. 

Delivery and Collection of Work

Please attach a stiff label to the back of your work with string. This label must be able to hang freely over the front of the work and should include your name, title of artwork, price and a contact phone number and email address.

Please also attach a permanent label to your work with name, title, price and a contact phone number.

We can recommend couriers if you do not have your own contracts. Please email admin@visualartsscotland.org for advice on this matter. 

Artists sending work from outside the UK are responsible for any customs and duty charges, declarations and other related documentation for the artwork both entering and leaving the UK, and for ensuring that work is received at the gallery by the specified time. VAS is unable to pay import duty or related fees on any submitted work or arrange delivery back to you, this will be entirely the artists’ responsibility. 

IMPORTANT:

Please download your labels and attach them to your work following the instructions, and bring a copy of your submission form to the gallery.

Please also attach a permanent label to your work with name, title, price and a contact phone number.

Sales and Commission

Artist, Associate Members and non-members will be charged a commission of 40% on the sale price of all work sold in the exhibition.

VAS Professional Members will be charged a reduced commission rate of 35% on the sale price of all work sold in the exhibition.

Insurance

Whilst every possible care will be taken of works submitted, VAS cannot be responsible for any loss or damage incurred during the exhibition or in transit to and from it. The Society does not insure the exhibits; artists are advised to insure their own work.

Framing and Finishing

Please ensure a high standard of presentation of works. Any framing should be professionally finished and contemporary.

Works with wet paint will not be accepted; the artist is liable for the cost of any damage caused to other works by such items.

The artist is liable for the cost of any damage caused to other works by protruding hooks and fixings. Mirror plates for hanging are provided by VAS.

Please note that works requiring bull dog clips are not permitted, we welcome the following types of fixings: screws, pins, magnets (if the piece allows magnets to be used effectively). No bulldog clips or similar will be permitted and works delivered with this requirement will be rejected on site.  

Plinth and Display Equipment

Artists must provide their own floor-standing plinths or display equipment at the time of delivery - VAS has limited plinths or display solutions. 

Photography

Photographic reproduction of all works submitted and use of images for promotion or marketing purposes by the VAS is allowed by the Artist unless otherwise indicated.

Agreement
By submitting to the exhibition you are deemed to accept and agree to the following:

The decision of the Selectors on all matters is final and no correspondence will be entered into.
I understand that the organisers reserve the right to make such changes to the exhibition arrangements and the Terms and Conditions as may be deemed necessary by circumstances.

I authorise the organisers to process, store, and utilise the data in my submission and agree that, if selected for exhibition, images of my work can be freely used by The Organisers, The Gallery and associated organisations for promotional and publicity purposes.

VAS cannot be responsible for any loss or damage incurred during the exhibition or in transit to and from it. The Society does not insure the exhibits; artists are advised to insure their own work.

All information provided by me is true and accurate and that the work submitted is wholly of my own creation.

I have read and understood these terms and conditions and by submitting this application I accept and agree to observe all the Terms and Conditions therein.

Please Note: The above terms and conditions are provided by the exhibition organisers.

For terms and conditions which apply to the use of the OESS entry system please view below:
OESS Terms & Conditions | Privacy Policy

The London Group is now accepting entries for its 86th Open exhibition which will take place 8-23 November at Copeland Gallery, Peckham, London SE15.
Open daily 11-5pm

Private View: Friday 7 November 
Prize-giving TBC
Artists’ Talks 9 & 23 November

Delivery of work: 4 November

Collection of work: 23 November 5-6 pm or from 11-6 pm on 24 November

if you have any technical issues during the submission process, please email : lori@oess.uk

Eligibility
Submissions of work are invited from UK-based visual artists over the age of 18 working in any medium.

Cost: The entry fee is £20 for one submission, £35 for two submissions, or £45 for three submissions.

Prizes
The London Group Prize 1,000
The London Group Prize 500
The Vic Kuell Memorial Prize for Innovation 1,000
The Schauerman Prize for Digital Art 500
The Chelsea Arts Club Trust Stan Smith Award for an Artist Under 35 1,000
The JPES Partnership Prize 1,000
The Armour Studio Award 500
Linden Hall Studio Prize – Opportunity to show three artworks alongside the Linden Hall Collection

Are you applying for the under 35 prize? Make sure that your date of birth is correct on your OESS profile, and answer the question “Are you applying for the under 35 prize” when you start your submission.

Wall-based work

Size restrictions: 180 cm x 120 cm landscape or portrait.
Will require mirror plates affixed at the mid-point on each side. All glazed work must have solid frames (no clip frames). Work on aluminium must have appropriate fixings attached. For unframed work, work in multiple parts or work over 15kg in weight The London Group reserves the right to require work to be installed by the artist as directed by the curators.

No adhesives admissible so please make sure that all wall based work can be hung using a nail or screw.

Sculpture: 
Size restrictions: 240 cm high x 100cm wide x 100 cm depth, including plinth.

Any plinths or support necessary for the display of 3-D work must be provided by the artists themselves. The curators reserve the right not to use plinths/supports that are deemed inadequate or too bulky.

All Artists
Please add any social media or website links to your artist statement or bio in your OESS profile.
Printed material or accompanying texts are not admissible unless integral to the work and included in the image of the work.

Video Artists 

If you would like your work to be included in the dedicated show reel, the maximum duration allowed is 7 minutes.
If you are submitting a work to be displayed on its own monitor or as a separate installation, you are responsible for providing all necessary equipment*.

Please use the Installation Details box to specify any video equipment you will provide for your display, or to request that your work be included in the show reel.

The selectors reserve the right to show any video work as part of a dedicated showreel programme.

*Equipment such as monitors, DVD players and computers that are required for the display of audio/video work must be provided by the artists themselves.

Headphones must be provided by the artist for work which has sound, in addition to any speakers. The choice between headphones/speakers will be at the discretion of the curators.

Sculpture, Time-Based or Performance Artists 

Please use the Installation Details box to detail any display details and special instructions regarding setup or requirements.
Any plinths or support necessary for the display of 3-D work must be provided by the artists themselves. The curators reserve the right not to use plinths/supports that are deemed inadequate or too bulky.

Image Uploads
Image files should be JPG or PNG and no more than 5MB. Image file names should not be too long or contain any invalid characters such as ' " & % * ( ) < > / ~ # + =

[Note: If you are having problems uploading your images please resize your image to approximately 1600 pixels wide and then save as a new file] 

Pricing
Commission is charged by The London Group at 20%
Prices should include VAT if applicable.

Selection
The Selection Committee will select all works for the exhibition. The Selectors will consider all correctly completed submissions. The decision of the Selectors on all matters is final and no correspondence will be entered into. The award of prizes for work in the exhibition is at the complete discretion of the Selection Panel and individual prize selectors.

Communications
All communication will be by email. 

23rd September, All applicants will be notified by email to check the Portal, if successful must respond within one week to confirm participation. Failure to do so could result in work being withdrawn from the exhibition. 

Insurance
Artists are responsible for insuring their own work. All works accepted for exhibition will be displayed entirely at the artists' risk and organisers and the gallery will not accept liability for loss or damage occurring during the exhibition.

Delivery and Collection
All artists selected for exhibition must arrange for delivery and collection of their work to and from The Copeland Gallery at the specified days and times. Please ensure that you can comply with this requirement before entering, as The London Group cannot assist with alternative arrangements.
All packaging materials must be removed after delivery and brought back at collection.

Transport Connections & Parking

The nearest railway stations are Peckham Rye and Nunhead. The Copeland Gallery is a short walk away.

There is parking at the gallery and a limited set down area which can be used for up to 20 minutes.

Any work not collected at the end of the exhibition will be disposed of at The London Group’s discretion and any costs incurred will be charged to the artist.

Gallery Restrictions

The Gallery space is on one level.

Agreement
By submitting to the exhibition you are deemed to accept and agree to the following:
The decision of the Selectors on all matters Is final and no correspondence will be entered into.
I understand that The Organisers reserve the right to make such changes to the exhibition arrangements and these Terms & Conditions as may be deemed necessary by circumstances.
I authorise The Organisers To process, store, and utilise the data in my submission and agree that, if selected for exhibition, images of my work can be freely used by The Organisers, The Gallery and associated organisations for promotional and publicity purposes.
All information provided by me is true and accurate and that the work submitted is wholly of my own creation.
I have read and understood these terms and conditions and by submitting this application I accept and agree to observe all the Terms And Conditions therein.


 

Copyright

It is the responsibility of the artist to ascertain the copyright of any existing image that is incorporated into a work and if applicable permission must be sought from the copyright-holder for its reproduction and the required fee must be paid by the artist. Proof of reproduction rights must be sent to enquiries@thelondongroup.com as soon as possible if the work is accepted for the Open. It is the responsibility of the artist to ascertain the copyright of any audio material in their work and to take out PRS and PPL licenses for any copyright material. Copies of certificates must be sent to enquiries@thelondongroup.com as soon as possible if the work is accepted for the Open. The artist must indemnify The London Group and The Copeland Gallery against any liability for playing/showing audio/visual copyright material.

Please Note: The above terms and conditions are provided by the exhibition organisers.

For terms and conditions which apply to the use of the OESS entry system please view below:
OESS Terms & Conditions | Privacy Policy

General Information

The Hunt Open Submission Exhibition will be held at the Hunt Museum, Customs House, Rutland Street, Limerick City from 5 December, 2025 until 28 February, 2026.   

Eligibility

Submissions of work are invited from visual artists working in the following medium painting, print, photography, drawing and sculpture. Works outside these categories are not usually accepted.

Submission Procedure

Submission is by online entry only. Please click on the link from our website and follow the instructions. There is a €15 fee per artwork submitted. Submission fee is non-refundable. The selection committee is made up of six to eight invited artists. Artworks will be judged solely on merit. The decision is final and binding, and no correspondence or feedback will be entered into under any circumstance. The work should not have been exhibited previously in Limerick with the exception of Graduate Exhibitions. If selected for exhibition, work cannot be removed from display until after the close of the exhibition.

The Hunt Museum reserves the right to reject work that it believes is in breach of copyright laws.

Reproductions of existing artworks are not eligible.

Work must be professionally presented for exhibition. All artworks must be presented with complete mechanisms for hanging for wall-mounted pieces (mirror plates or string/ wire). Exposed wet canvases or works that could cause damage to others will not be accepted under any circumstances. Work that arrives damaged or unfit for exhibition due to any material defect will automatically be deemed ineligible for exhibition.

Artwork must have been created in the past five years.

Labelling & Presentation 

Each artwork must be clearly labelled. Please ensure that the label information matches the information at the time of entry. It is important that all details are included on the form, as incomplete details will deem the entry inadmissible. All works will be checked on entry, so please make sure your information is correct.

All works handed in for exhibition must be:

• Unwrapped
• Professionally presented (needing no further work, additions or framing prior to exhibition)
• Labelled correctly
• Works that are of a delicate or fragile nature can be delivered wrapped but must be clearly marked with additional labels on the packaging. The organisers may ask that work is unwrapped.
• The utmost care will be taken of all works submitted for exhibition, however the Hunt Museum will not be liable for any damage, loss of or destruction of artworks. Artists should insure their works against all risks. All works accepted for exhibition will be transported entirely at the artists' risk. The Hunt Museum will not accept liability for loss or damage occurring during travel to the exhibition or the selection process. Works are insured when accepted to the exhibition and condition checked by the museum team.

Pricing & commission

Work selected for exhibition will be expected to be for sale except in exceptional circumstances agreed beforehand. A commission of 25% will be paid to the museum. It will be assumed that the sale price includes the cost of any frame and the commission. Please allow for these points when pricing your work. 

Prices should include VAT if applicable. If you are VAT registered, please provide a VAT number in the box provided. 

Sold work will be marked with a red dot. The Hunt Museum will not be liable for any loss arising out of the failure by a purchaser to complete a sale or the mis-marking of any sold artwork. 

The museum will collect 25% of the artwork’s price as a deposit on the sale along with the buyer’s contact information and permission to share that information with the artist. The buyer will then pay the balance to the artist prior to collection. If the balance of the purchased artwork has not been paid by the end of the exhibition, the artwork will be released back to the artist for them to complete the transaction. Fully paid for artworks will be released to the buyer.  A price for framed work for artwork with editions, e.g. photography or print, must be included for the catalogue and online sales platform. There is no unframed sales option for editions.

Photography & Copyright

The artist allows the museum to photograph the works and  to use the images of any artwork for publicity and public engagement purposes only. This includes television, print (catalogue, newspapers, trade publications), website (Hunt Museum and others), social media (Hunt Museum and others) and any other method that the organisers deems fit for purpose.

Communications

All communication will be by email or via the online login process. Applicants will be required to login to see if they have been selected and will be asked to download and print their application details to be delivered with the artwork. Failure to do so could result in work being withdrawn from the exhibition. 

Selection

The Selection Committee will select the works for the exhibition. The Selectors will consider all correctly completed submissions. The decision of the Selectors on all matters is final and no correspondence will be entered into. An email reminder will be sent to artists to check their status on the dates listed.

Insurance

Artists are responsible for insuring their own work. All works accepted for exhibition will be displayed entirely at the artists' risk.  Organisers and the museum will not accept liability for loss or damage occurring during the exhibition.

Delivery and Collection

Artists are responsible for the delivery and collection of their work at the Museum. All packaging materials must be removed after delivery (no storage is available for this) and brought back at collection. 

If you are applying from overseas, please consider how you will get your work to and from the exhibition at the required times. We will accept applications from outside the EU, however artists sending works from outside the EU are responsible for payment of any associated duties or taxes. The Hunt Museum will not be responsible for resolving any customs issues that may occur. Artists must ensure that their work reaches us on the designated days and is customs compliant. The Hunt Museum will not pay customs charges, duty or any associated charges on works arriving by courier. It is the artist’s responsibility to ensure that the work is correctly packaged, as the museum will not accept responsibility for work damaged in transit or by any third parties.

Work not collected at the stated times will be subject to a daily charge of €10 and will be disposed of after one week. 

The Hunt Museum will not undertake the wrapping, crating and packing of any artworks.

Agreement

By submitting to the exhibition you are deemed to accept and agree to the following:

• The decision of the Selectors on all matters is final and no correspondence will be entered into.
• I understand that The Organisers reserve the right to make such changes to the exhibition arrangements and these Terms & Conditions as may be deemed necessary by circumstances.
• I authorise The Organisers to process, store, and utilise the data in my submission and agree that, if selected for exhibition, images of my work can be freely used by The Organisers, The museum and associated organisations for promotional and publicity purposes.
• I authorise the museum to share my contact information with the buyer.
• All information provided by me is true and accurate and that the work submitted is wholly of my own creation.
• I have read and understood these terms and conditions and by submitting this application I accept and agree to observe all the Terms And Conditions therein.

Please Note: The above terms and conditions are provided by the exhibition organisers.

For terms and conditions which apply to the use of the OESS entry system please view below:
OESS Terms & Conditions | Privacy Policy